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“A stirring demonstration of love and respect”
Named 2017 “Male Singer of the Year” by both the International Opera Awards and Bachtrack, American-born tenor Lawrence Brownlee has been hailed by The Guardian as “one of the world’s leading bel canto stars.” Brownlee captivates audiences and critics around the world, and his voice has been praised by NPR as “an instrument of great beauty and expression…perfectly suited to the early nineteenth century operas of Rossini and Donizetti,” ushering in “a new golden age in high male voices” (The New York Times). Brownlee also serves as Artistic Advisor at Opera Philadelphia, helping the company to expand their repertoire, diversity efforts and community initiatives.
The 2018-19 season starts with two evenings of duets with bass-baritone Eric Owens hosted by the Cliburn, followed by a night of arias at Amsterdam's famed Concertgebouw. Operatic engagements this season include two role debuts in North American houses, singing Nadir in Bizet’s The Pearl Fishers with Houston Grand Opera and Ilo in Rossini’s Zelmira with Washington Concert Opera, as well as returns to several international opera houses, performing in La Cenerentola at Opéra national de Paris, La sonnambula at Opernhaus Zürich and Deutsche Oper Berlin, and I Puritani at Opéra Royal de Wallonie-Liège. His season also features a 17-stop US tour with bass-baritone Eric Owens performing at the Seattle Symphony, Philadelphia Chamber Music Society, the Los Angeles Philharmonic, and more, as well as a performance at Carnegie Hall in March 2019 with Jason Moran and Alicia Hall Moran as part of “Migrations: The Making of America — A Citywide Festival.”
Der in Amerika geborene Tenor Lawrence Brownlee wurde 2017 sowohl von den International Opera Awards als auch von Bachtrack zum "männlichen Sänger des Jahres" gekürt und von The Guardian als "einer der führenden Belcanto-Stars der Welt" gefeiert. Brownlee fesselt Publikum und Kritiker auf der ganzen Welt, und seine Stimme wurde von NPR als "ein Instrument von großer Schönheit und Ausdruck ... perfekt geeignet für die Opern des frühen neunzehnten Jahrhunderts von Rossini und Donizetti" gelobt, die "ein neues goldenes Zeitalter der hohen Männerstimmen" (The New York Times) einläuteten. Brownlee ist außerdem künstlerischer Berater der Opera Philadelphia und unterstützt das Ensemble bei der Erweiterung seines Repertoires, bei seinen Bemühungen um Vielfalt und bei Initiativen für die Gemeinschaft.
Die Saison 2018-19 beginnt mit zwei Duettabenden mit dem Bassbariton Eric Owens, die vom Cliburn veranstaltet werden, gefolgt von einer Ariennacht im berühmten Concertgebouw in Amsterdam. Zu den Opernengagements in dieser Saison gehören zwei Rollendebüts an nordamerikanischen Häusern: Nadir in Bizets Die Perlenfischer an der Houston Grand Opera und Ilo in Rossinis Zelmira an der Washington Concert Opera. Außerdem kehrt er an mehrere internationale Opernhäuser zurück und singt La Cenerentola an der Opéra national de Paris, La sonnambula am Opernhaus Zürich und der Deutschen Oper Berlin sowie I Puritani an der Opéra Royal de Wallonie-Liège. Seine Saison beinhaltet auch eine 17-stoppige US-Tournee mit dem Bassbariton Eric Owens, bei der er u.a. bei der Seattle Symphony, der Philadelphia Chamber Music Society und dem Los Angeles Philharmonic auftritt, sowie einen Auftritt in der Carnegie Hall im März 2019 mit Jason Moran und Alicia Hall Moran als Teil von "Migrations: The Making of America - A Citywide Festival".
インターナショナル・オペラ・アワードとBachtrackの両方で2017年の「男性歌手賞」に選ばれたアメリカ生まれのテノール、ローレンス・ブラウンリーは、ガーディアン紙で "世界有数のベルカント・スターの一人 "と称されています。ブラウンリーは世界中の聴衆と批評家を魅了し、その声はNPRで「偉大な美しさと表現力を持つ楽器...ロッシーニやドニゼッティの19世紀初頭のオペラに完璧に適している」と称賛され、「高い男声の新たな黄金時代」（ニューヨーク・タイムズ紙）の到来を告げる。ブラウンリーは、オペラ・フィラデルフィアのアーティスティック・アドバイザーも務めており、レパートリーの拡大、多様性への取り組み、コミュニティへの取り組みなどを支援しています。
2018-19シーズンは、クライバーンが主催するバスバリトンのエリック・オーエンスとのデュエットの夕べ2回から始まり、その後、アムステルダムの有名なコンセルトヘボウでアリアの夕べを開催します。また、パリ国立オペラの「ラ・チェネレントラ」、チューリッヒ・オペラとベルリン・ドイツ・オペラの「ラ・ソンナムブラ」、ワロニー・リエージュ王立オペラの「アイ・プリターニ」など、海外のオペラハウスでも活躍しています。今シーズンは、バスバリトンのエリック・オーウェンズと17カ所の米国ツアーを行い、シアトル交響楽団、フィラデルフィア室内楽協会、ロサンゼルス・フィルハーモニー管弦楽団などに出演するほか、2019年3月には「Migrations」の一環として、ジェイソン・モラン、アリシア・ホール・モランとともにカーネギーホールで公演を行います。The Making of America - A Citywide Festival" を開催します。
Nomeado 2017 "Cantor Masculino do Ano" tanto pelo International Opera Awards como pelo Bachtrack, o tenor americano Lawrence Brownlee foi aclamado pelo The Guardian como "uma das principais estrelas mundiais do bel canto". Brownlee cativa audiências e críticos em todo o mundo, e a sua voz tem sido elogiada pela NPR como "um instrumento de grande beleza e expressão... perfeitamente adequado às óperas do início do século XIX de Rossini e Donizetti", inaugurando "uma nova era dourada em altas vozes masculinas" (The New York Times). Brownlee serve também como Conselheiro Artístico na Opera Philadelphia, ajudando a empresa a expandir o seu repertório, esforços de diversidade e iniciativas comunitárias.
A temporada 2018-19 começa com duas noites de duetos com baixo-barítono Eric Owens apresentado pelo Cliburn, seguidas de uma noite de árias no famoso Concertgebouw de Amesterdão. Os compromissos ópticos desta temporada incluem duas estreias em casas norte-americanas, cantando Nadir no Bizet's The Pearl Fishers com Houston Grand Opera e Ilo no Rossini's Zelmira com Washington Concert Opera, bem como o regresso a várias ópera internacionais, actuando em La Cenerentola na Opéra national de Paris, La sonnambula na Opernhaus Zürich e Deutsche Oper Berlin, e I Puritani na Opéra Royal de Wallonie-Liège. A sua temporada também apresenta uma digressão norte-americana de 17 paragens com Eric Owens a actuar na Seattle Symphony, Philadelphia Chamber Music Society, a Los Angeles Philharmonic, e muito mais, bem como uma actuação no Carnegie Hall em Março de 2019 com Jason Moran e Alicia Hall Moran como parte de "Migrations": The Making of America - A Citywide Festival".
“A stirring demonstration of love and respect”
Named 2017 “Male Singer of the Year” by both the International Opera Awards and Bachtrack, American-born tenor Lawrence Brownlee has been hailed by The Guardian as “one of the world’s leading bel canto stars.” Brownlee captivates audiences and critics around the world, and his voice has been praised by NPR as “an instrument of great beauty and expression…perfectly suited to the early nineteenth century operas of Rossini and Donizetti,” ushering in “a new golden age in high male voices” (The New York Times). Brownlee also serves as Artistic Advisor at Opera Philadelphia, helping the company to expand their repertoire, diversity efforts and community initiatives.
The 2018-19 season starts with two evenings of duets with bass-baritone Eric Owens hosted by the Cliburn, followed by a night of arias at Amsterdam's famed Concertgebouw. Operatic engagements this season include two role debuts in North American houses, singing Nadir in Bizet’s The Pearl Fishers with Houston Grand Opera and Ilo in Rossini’s Zelmira with Washington Concert Opera, as well as returns to several international opera houses, performing in La Cenerentola at Opéra national de Paris, La sonnambula at Opernhaus Zürich and Deutsche Oper Berlin, and I Puritani at Opéra Royal de Wallonie-Liège. His season also features a 17-stop US tour with bass-baritone Eric Owens performing at the Seattle Symphony, Philadelphia Chamber Music Society, the Los Angeles Philharmonic, and more, as well as a performance at Carnegie Hall in March 2019 with Jason Moran and Alicia Hall Moran as part of “Migrations: The Making of America — A Citywide Festival.”
“A stirring demonstration of love and respect”
Named 2017 “Male Singer of the Year” by both the International Opera Awards and Bachtrack, American-born tenor Lawrence Brownlee has been hailed by The Guardian as “one of the world’s leading bel canto stars.” Brownlee captivates audiences and critics around the world, and his voice has been praised by NPR as “an instrument of great beauty and expression…perfectly suited to the early nineteenth century operas of Rossini and Donizetti,” ushering in “a new golden age in high male voices” (The New York Times). Brownlee also serves as Artistic Advisor at Opera Philadelphia, helping the company to expand their repertoire, diversity efforts and community initiatives.
The 2018-19 season starts with two evenings of duets with bass-baritone Eric Owens hosted by the Cliburn, followed by a night of arias at Amsterdam's famed Concertgebouw. Operatic engagements this season include two role debuts in North American houses, singing Nadir in Bizet’s The Pearl Fishers with Houston Grand Opera and Ilo in Rossini’s Zelmira with Washington Concert Opera, as well as returns to several international opera houses, performing in La Cenerentola at Opéra national de Paris, La sonnambula at Opernhaus Zürich and Deutsche Oper Berlin, and I Puritani at Opéra Royal de Wallonie-Liège. His season also features a 17-stop US tour with bass-baritone Eric Owens performing at the Seattle Symphony, Philadelphia Chamber Music Society, the Los Angeles Philharmonic, and more, as well as a performance at Carnegie Hall in March 2019 with Jason Moran and Alicia Hall Moran as part of “Migrations: The Making of America — A Citywide Festival.”